Experience The Mikado in Thame
Join Us at The Players Theatre on 15 November. Matinee and Evening Performances – Get Your Tickets!

Louisa Alice-Rose

Cast Members > Louisa Alice-Rose
Louisa Alice-Rose

Louisa Alice-Rose

Soprano

Louisa graduated from the Royal Northern College of Music with First Class Honours in Vocal Studies and Opera

Louisa Alice-Rose, Soprano and Founder of LAR Performing Arts, has been performing on the professional stage since her West End debut at aged 8 in Les Miserables. At aged 9 she played the role of Tilly for the World Premiere of Howard Blake’s The Bear at the Birmingham Symphony Hall and The Barbican Centre.

Career highlights include a nomination for a Classic BRIT Award, representing England at the Llangollen Eisteddfod Pendine International Voice of the Future, solo recitals at Hampton Court Palace and Windsor Castle and reaching the top of the iTunes Classical Charts.

Louisa graduated from the Royal Northern College of Music with First Class Honours in Vocal Studies and Opera. Prior to this, she trained at Glyndebourne Youth Opera and Tring Park School for the Performing Arts. Louisa has performed a variety of Gilbert & Sullivan roles for Grim’s Dyke Opera, Opera Anywhere, Opera South East, White Knight Productions, Celebrate Voice and Kentish Opera. Roles include: Yum Yum and Pitti-Sing (The Mikado), Rose Maybud (Ruddigore), Constance (The Sorcerer), Mabel, Kate and Isabel (The Pirates of Penzance), Phyllis, Leila and Celia (Iolanthe), Josephine (H.M.S Pinafore), Angelina and the Counsel for the Plaintiff (Trial By Jury) and Phoebe (The Yeomen of the Guard). Other recent roles include Sara (Tobias and the Angel, Dove) for Dacorum Opera, Zerlina (Don Giovanni), Berta (Il barbiere di Siviglia) and Fanny Dashwood (Sense and Sensibility UK Premiè re) with Surrey Opera. On the concert platform, recent performances include Bach’s Magnificat, St Matthew Passion and Christmas Oratorio, Purcell’s Come Ye Sons Of Art, Faure’s Requiem, Haydn’s Creation, Vivaldi’s Gloria, Mozart’s Mass in C Minor and Solemn Vespers, Bizet’s Te Deum, Schubert’s Mass in A Flat, Handel’s Messiah and Anthem For The Foundling Hospital and Rutter’s Requiem and Magnificat.
For further information please visit www.larperformingarts.co.uk

Productions

The Magic of Opera

The Magic of Opera

What Our Audience Say

☆☆☆☆☆

The Mikado at Sutton Courtenay

"Thanks for the super evening at the Mikado on Saturday - we all loved it, including the 10 year old who baulks at anything that isn't Taylor Swift" - Sophie S, audience member

The Mikado at Sutton Courtenay

Once again, many thanks and congratulations for a fabulous performance last night. The Mikado has some great songs and your cast performed them all with sheer brilliance. Not only do they all have wonderful voices but their acting ability is outstanding. It is hard to believe that such a professional performance can be put on in a village church. It was worthy of any West End stage. - James & Ursula White

Henry and Lindsay Herford

What a splendid evening! Pirates was a great village event, and we’re sure you felt the audience’s enjoyment. I think it’s safe to say that nothing quite like it has ever been done in our church’s 760 years’ history! We’re already thinking about what next.

Anthony Pinching, Director, Pinner Music Festival

After the second half, people were in tears or close, and visibly moved by their engagement with the opera, which mirrored the total engagement of Megan and the whole cast – each one a star! People will remember this production for a very long time.

Nicola

Superb Hansel and Gretel by Opera Anywhere this evening. Brilliant cast and imaginative direction. Go see!

Audience Member

We are all absolutely delighted, deeply impressed and profoundly moved by Opera’s Heroines & Sister Angelica.

Nicola Harvey

What a performance it was! Even in its cleverly adapted and shorter form, with a trio of instrumentalists (cello, flute and piano) replacing the orchestra, everything that makes The Magic Flute so wonderful was there… All in all, this performance of The Magic Flute will be remembered and talked about by our family and the friends who came with us for a very long time.

Michael

The final 10 minutes of the first half of Hansel and Gretel caught me in the throat and heart. The tears were equally shared in the final part of the second half. I found it very moving. One of those rare moments when, despite all that was going on, I could hear a pin drop in my heart.

Audience Member

Came to see it, thought it was absolutely fabulous, and a young child in the front row entranced.